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cover of The Arcades by Michael Davidson, b&w image of the inside of a large building with a windowed cieling and many arches along the walls
The Arcades
By Michael Davidson
cover of Fray by Jessica Grim; dark grey-green column along left side, right side is light grey background, image of a reg=ctangular yellow piece of paper with hand drawn parallelogram with left line missing
FRAY
By Jessica Grim
cover of The Case by Laura Moriarty, teal background at the top, the bottom half has a collaged time lapse b&w image of a woman in a dress sifting sand through her fingers and throwing it in the air at a lakeside
The Case
By Laura Moriarty
cover of Citeria by Sianne Ngai; three repeated narrow vertical negative photos layered on top of each other of stone tied to a pulley system casting it shadow on the wall, photos are on a pink background
Criteria
By Sianne Ngai
cover of The Seven Voices by Lisa Samuels, drawing of six butterflies separated by wood slats in a glass case, each pane of glass dusty with a clean/clear circle in the center of each
The Seven Voices
By Lisa Samuels
cover of Homing Devices by Liz Waldner; wall covered in painting of a red rock landscape and green fir trees, large rock with a tree growing out of it on the left side, banner of snowy mountain range across the top of the wall, ceiling is green with painted star and metal sun, umbrella leaning against the wall
Homing Devices
By Liz Waldner
cover of THERE by etel adnan; burnt orange background, large square b&w photo of a table beside a stool on a box with gourdes in top, in front of a curtain and window
There: In the Light and the Darkness of the Self and of the Other
By Etel Adnan
cover of OWL ON BOUGH by robert grenier, white background with handwritten lettering, as if drawn by a child
OWL/ON/BOU/GH
By Robert Grenier
quill, solitary apparition by barbara guest, salmon pink background with light grey splotch in the middle
Quill, Solitary Apparition
By Barbara Guest
cover of In Memory of My Theories by Rod Smith; light grey background, image of ghostlike figure on top of an old tv with a blue screen, tethered by a thin pole to a clear plexiglass spinning wheel
In Memory of My Theories
By Rod Smith
A Descriptive Method by Claude Royet-Journoud, white background with square outlined in light blue near center, three differently sized thick lines stacked vertically inside, one light blue, one sky blue, one maroon
A Descriptive Method
By Claude Royet-Journoud
Translated by Keith Waldrop
cover of Lapses by John Crouse; textured off-white background, four columns of nouns and verbs in light brown typed font with a blue textured check mark above each word, blue outline of rectangle surrounding eight words in third column from the left
Lapses
By John Crouse
cover of VEL by P. Inman, black line drawing of bird silhouettes and a square b&w image of a wall and white pitcher
VEL
By P Inman
cover of Close to me & Closer by Alice Notley; top of page is a painting of deer and llamas grazing and laying in yellow and green grass with a purple sky, bottom of page is a painting of a male and female lion facing each other in yellow grass
Close to me & Closer… (The Language of Heaven) and Désamère
By Alice Notley
cover of The Indian Never Had a Horse by etel adnan; light pink background with a large vertical rectangle centered of a black ink drawing of trees and a horizon line, title and author photo centered below in typed text
The Indian Never Had a Horse & Other Poems
By Etel Adnan
cover of Mob by Abigail Child; black background, b&w aerial image of large crowd in swimwear
Mob
By Abigail Child
cover by Curve by Andrew Levy; two smaller vertical rectangular b&w image negatives of nuns or saints, pink background with black line drawings with curves, lines, and arrows
Curve
By Andrew Levy
cover of precise intrigues by mary angeline; light grey background with black line doodles making a cross-hatched square
Precise Intrigues
By Mary Angeline
cover of Rome, A Mobile Home by Jerry Estrin, dark red background with horizontal b&w close-up photo of a line of stones in sand
Rome, a Mobile Home
By Jerry Estrin
cover of Precisely the Point Being Made by Norman Fischer, off-white background with rectangular image along the bottom of light grey circles and black dots
Precisely the Point Being Made
By Norman Fischer

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