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Cover of Spectral Evidence The Witch Book by Nancy Bowen and Elizabeth Willis featuring a stack of books on fire with the book title appearing in the smoke
Spectral Evidence: The Witch Book
By Elizabeth Willis
Art by Nancy Bowen
An African American Barbie doll wearing a pink bathing suit floats in a green pool her head appearing in the lower left corner and legs extending to the top right of the image. The title of the book and partially deleted author name appear in the bottom right corner. The title is Standard American English. It is in a yellow hand written font and the author name reads EL_S_TH H_ST_ON
Standard American English
By EL_S_TH H__ST_ON
The Paper Camera by Youmna Chlala, Book cover showing a film grid with a blue image in movement.
The Paper Camera
By Youmna Chlala
In the Environs of a Film by Danielle Colbert, Book cover showing a drawing of boats in birds-eye-view, greyscale
In the Environs of a Film
By Danielle Collobert
Translated by Nathanaël
The Supposium: Thought Experiments & Poethical Play in Difficult Times, a Wager by Joan Retallack (Editor), Book Cover showing a collage of photographs, a marble sculpture, a dove, a man, a drawing of a foot, a painting of a face, a photograph of two people in a city.
The Supposium
Edited by Joan Retallack
cover of bridge of the world by roberto harrison; textured abstract painting of dark blues and greys extending up into shades of white
Bridge of the World
By Roberto Harrison
Fabulas Feminae by Susan Bee & Johanna Drucker, Book cover showing the authors names and book title in colourful font with a flower and drawings of angels and the Japanese luckycat.
Fabulas Feminae
By Susan Bee, Johanna Drucker
cover of Anti-Humboldt by Hugo Garcia Manriquez, black and white aerial photo of roads, one road splitting into three and curving off the sides of the page, the other cutting straight across diagonally
Anti-Humboldt
By Hugo García Manríquez
Towards the Primeval Lightning Field by Will Alexander, Book cover showing a busy painting of lines and dots meeting and merging in movement, yellow, orange, green and reds.
Towards the Primeval Lightning Field
By Will Alexander
cover of lazy suzie by suzanne doppelt, translated by cole swensen; two b&w repeated images of an icy lakeand a snowy shore with a bench and three bare trees, the left image is upside down and adjusted so the horizon lines on each image match
Lazy Suzie
By Suzanne Doppelt
Translated by Cole Swensen
cover Then Go On by Mary Burger; dark blue lines like spray paint stretch vertically across a green background. large red textured paint splotches across the middle with dark blue shapes like flower silhouettes along the top.
Then Go On
By Mary Burger
There Are People Who Say That Painters Shouldn’t Talk: A GUSTONBOOK
By Patrick James Dunagan
How Phenomena Appear to Unfold by Leslie Scalapino, Book cover showing intricately drawn peacocks on the right and wild turkeys to the left.
How Phenomena Appear to Unfold
By Leslie Scalapino
cover of Crowd and not evening or light, a poem by Leslie Scalapino; bright sjy-blue background, b&w horizontal rectangular photo of landscape with hills in the distance and cows lying in the grass in the foreground
Crowd and not evening or light
By Leslie Scalapino
cover of The Dihedrons Gazelle-Dihedrals Zoom by leslie scalapino; textured dark red background, rectangular illustration of domes archway with images of statues of human figures, birds, and other stones collaged into the image
The Dihedrons Gazelle-Dihedrals Zoom
By Leslie Scalapino
From Dame Quickly by Jennifer Scappettone, a busy painting of moments in an urban landscape, different shapes that traverse the image and give it movement, navy blue background
From Dame Quickly
By Jennifer Scappettone
cover of Containment Scenario by M. Mara-Ann; apple-green background with large square image of cutout of person riding a racehorse filled in with temperature change charts, on top of colorful images of people riding racehorses
containment scenario: DisloInter MedTextId entCation : Horse Medicine
By M. Mara-Ann
cover of Horace by Tim Atkins, Horace in yellow font, refelcted below it at top of page, dark grey-blue background, square image of splattered colorful goopy paint in shades of green and pink
Horace
By Tim Atkins
cover of Animate, Inanimate Aims by brenda ijima; collaged image of lines and shapes in off whites, blues, greys, and black
Animate, Inanimate Aims
By Brenda Iijima
The Arab Apocalypse front cover image: bright orange background with a drawing of three broken, black circles lined up horizontally, with black streaks interrupting them. The circles could be representations of the sun. Text on the cover reads: Etel Adnan, The Arab Apocalypse, The Post-Apollo Press.
The Arab Apocalypse
By Etel Adnan

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