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cover of In Memory of My Theories by Rod Smith; light grey background, image of ghostlike figure on top of an old tv with a blue screen, tethered by a thin pole to a clear plexiglass spinning wheel
In Memory of My Theories
By Rod Smith
A Descriptive Method by Claude Royet-Journoud, white background with square outlined in light blue near center, three differently sized thick lines stacked vertically inside, one light blue, one sky blue, one maroon
A Descriptive Method
By Claude Royet-Journoud
Translated by Keith Waldrop
cover of Lapses by John Crouse; textured off-white background, four columns of nouns and verbs in light brown typed font with a blue textured check mark above each word, blue outline of rectangle surrounding eight words in third column from the left
Lapses
By John Crouse
cover of VEL by P. Inman, black line drawing of bird silhouettes and a square b&w image of a wall and white pitcher
VEL
By P Inman
cover of Close to me & Closer by Alice Notley; top of page is a painting of deer and llamas grazing and laying in yellow and green grass with a purple sky, bottom of page is a painting of a male and female lion facing each other in yellow grass
Close to me & Closer… (The Language of Heaven) and Désamère
By Alice Notley
cover of The Indian Never Had a Horse by etel adnan; light pink background with a large vertical rectangle centered of a black ink drawing of trees and a horizon line, title and author photo centered below in typed text
The Indian Never Had a Horse & Other Poems
By Etel Adnan
cover of Mob by Abigail Child; black background, b&w aerial image of large crowd in swimwear
Mob
By Abigail Child
cover by Curve by Andrew Levy; two smaller vertical rectangular b&w image negatives of nuns or saints, pink background with black line drawings with curves, lines, and arrows
Curve
By Andrew Levy
cover of precise intrigues by mary angeline; light grey background with black line doodles making a cross-hatched square
Precise Intrigues
By Mary Angeline
cover of Rome, A Mobile Home by Jerry Estrin, dark red background with horizontal b&w close-up photo of a line of stones in sand
Rome, a Mobile Home
By Jerry Estrin
cover of Precisely the Point Being Made by Norman Fischer, off-white background with rectangular image along the bottom of light grey circles and black dots
Precisely the Point Being Made
By Norman Fischer
cover of The Sugar Borders by William Fuller, light blue background with red line drawings of small birds
The Sugar Borders
By William Fuller
cover of The India Book by Andrew Schelling, light pink background and a vertical red-tinted photo of a small skeleton with a mask in a garden
The India Book: Essays and Translations from Indian Asia
By Andrew Schelling
cover of Cold Heaven by Camille Roy; b&w photo of two women with their arms around each other, background is b&w image of the galaxy
Cold Heaven
By Camille Roy
cover of The Quietist by Fanny Howe, pale pink background with dark green hand drawing of lines like rain, a nail over an oval, and a face with a circle hat
The Quietist
By Fanny Howe
cover of Picture of the Picture by Craig Watson, light pink background with smal rectangle image at center of cave drawings with teal tint
Picture of the Picture of the Image in the Glass
By Craig Watson
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of What I Believe by Robert Genier, black bacground with white handwritten lettering
What I Believe
By Robert Grenier
cover of Values Chauffer You by Andrew Levy, light pink background with human chaped figure with a paddle ball racquet for a head
Values Chauffeur You
By Andrew Levy
cover of Kismet by Pat Reed; pink tinted photo of a tall window with items on the windowsill
Kismet
By Pat Reed

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