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Cover of Spectral Evidence The Witch Book by Nancy Bowen and Elizabeth Willis featuring a stack of books on fire with the book title appearing in the smoke
Spectral Evidence: The Witch Book
By Elizabeth Willis
Art by Nancy Bowen
Front cover of Journey to Mount Tamalpais with ink brush drawing of the mountain centered on a blue-green background
Journey to Mount Tamalpais, 2nd Ed.
By Etel Adnan
The Paper Camera by Youmna Chlala, Book cover showing a film grid with a blue image in movement.
The Paper Camera
By Youmna Chlala
The Supposium: Thought Experiments & Poethical Play in Difficult Times, a Wager by Joan Retallack (Editor), Book Cover showing a collage of photographs, a marble sculpture, a dove, a man, a drawing of a foot, a painting of a face, a photograph of two people in a city.
The Supposium
Edited by Joan Retallack
Cover image of Actualities with author and artist names Norma Cole and Marina Adams above an abstract painting with pink blue and black curvilinear shapes
Actualities
By Norma Cole
Art by Marina Adams
Fabulas Feminae by Susan Bee & Johanna Drucker, Book cover showing the authors names and book title in colourful font with a flower and drawings of angels and the Japanese luckycat.
Fabulas Feminae
By Susan Bee, Johanna Drucker
Towards the Primeval Lightning Field by Will Alexander, Book cover showing a busy painting of lines and dots meeting and merging in movement, yellow, orange, green and reds.
Towards the Primeval Lightning Field
By Will Alexander
cover of lazy suzie by suzanne doppelt, translated by cole swensen; two b&w repeated images of an icy lakeand a snowy shore with a bench and three bare trees, the left image is upside down and adjusted so the horizon lines on each image match
Lazy Suzie
By Suzanne Doppelt
Translated by Cole Swensen
There Are People Who Say That Painters Shouldn’t Talk: A GUSTONBOOK
By Patrick James Dunagan
cover of Crowd and not evening or light, a poem by Leslie Scalapino; bright sjy-blue background, b&w horizontal rectangular photo of landscape with hills in the distance and cows lying in the grass in the foreground
Crowd and not evening or light
By Leslie Scalapino
cover of The Real Life of Shadows by jean fremon; red background with a large off-white rectangle in the middle and black doodles inside, title and author name in black typed text centered above
The Real Life of Shadows
By Jean Frémon
Translated by Cole Swensen
No Gender by kari edwards: Reflections on the Life & Work of kari edwards. Edited by Julian T. Brolaski, erica kaufman, E. Tracy Grinnell, Book cover showing black threads stitched into white fabric and covered with shiny, translucent tape.
No Gender: Reflections on the Life & Work of kari edwards
Edited by E. Tracy Grinnell, erica kaufman, Julian Talamantez Brolaski
From Dame Quickly by Jennifer Scappettone, a busy painting of moments in an urban landscape, different shapes that traverse the image and give it movement, navy blue background
From Dame Quickly
By Jennifer Scappettone
coevr of Let George Do It by George Deem; forest green background, large square painting at center of a roud bordered by extra-tall skinny trees, a countryside, a large cloudy sky, and the refelction of a man's eyes in the top right corner as if from a car rearview mirror, title centered above photo, author name centered below in yellow typed font
Let George Do It
By George Deem
cover of In Space In Situ by Amy Evans McClure; photo of a navy blue statue on a pedestal in front of a wood wall of a woman with no arms or head
In Space in Situ
Art by Amy Evans McClure
cover of Animate, Inanimate Aims by brenda ijima; collaged image of lines and shapes in off whites, blues, greys, and black
Animate, Inanimate Aims
By Brenda Iijima
Art by Amy Evans McClure
The Arab Apocalypse front cover image: bright orange background with a drawing of three broken, black circles lined up horizontally, with black streaks interrupting them. The circles could be representations of the sun. Text on the cover reads: Etel Adnan, The Arab Apocalypse, The Post-Apollo Press.
The Arab Apocalypse
By Etel Adnan
A Dangerous Thing poetry by Ruth-Marion Baruch
A Dangerous Thing
By Ruth-Marion Baruch
cover of It's go in quiet illumined grass land by Leslie Scalapino; sky blue background with large white square at the center and three thick lines inside, one red and two blue
It’s Go In/ Quiet Illumined Grass/ Land
By Leslie Scalapino
cover of OWL ON BOUGH by robert grenier, white background with handwritten lettering, as if drawn by a child
OWL/ON/BOU/GH
By Robert Grenier

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