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cover of Mob by Abigail Child; black background, b&w aerial image of large crowd in swimwear
Mob
By Abigail Child
cover by Curve by Andrew Levy; two smaller vertical rectangular b&w image negatives of nuns or saints, pink background with black line drawings with curves, lines, and arrows
Curve
By Andrew Levy
cover of The Sugar Borders by William Fuller, light blue background with red line drawings of small birds
The Sugar Borders
By William Fuller
cover of O Four, Subliminal Time edited by Leslie Scalapino; "my heart is destiny" twice in bright blue handwritten text vertically, one on top of the other with blue crayon-like rectangular outline, blurb about the book typed in blue text in a column on the right side of cover
O Four / Subliminal Time
Edited by Leslie Scalapino
cover of The India Book by Andrew Schelling, light pink background and a vertical red-tinted photo of a small skeleton with a mask in a garden
The India Book: Essays and Translations from Indian Asia
By Andrew Schelling
cover of Cold Heaven by Camille Roy; b&w photo of two women with their arms around each other, background is b&w image of the galaxy
Cold Heaven
By Camille Roy
cover of Picture of the Picture by Craig Watson, light pink background with smal rectangle image at center of cave drawings with teal tint
Picture of the Picture of the Image in the Glass
By Craig Watson
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of Values Chauffer You by Andrew Levy, light pink background with human chaped figure with a paddle ball racquet for a head
Values Chauffeur You
By Andrew Levy
cover of Kismet by Pat Reed; pink tinted photo of a tall window with items on the windowsill
Kismet
By Pat Reed
cover of O Two anthology edited by Leslie Scalapino, bright teal rectangle with scratch marks at top center with light brown-purple background and white smudges
O Two / An Anthology
Edited by Leslie Scalapino
cover of Candor by Alan Davies; mint green sponged textured background, square image of blue rippling water outlined with solid mint green near the center, book title is centered under the square in deep blue all caps typed text, author name is right justified at the bottom in all caps white tyeped text
Candor
By Alan Davies
cover of The Inveterate Life by Jessica Grim, white background with navy blue line horizontal across the bottom, then another connecting vertically to rose tinted photo of a landscape
The Inveterate Life
By Jessica Grim
cover of It Then by Danielle Collobert, translated by Norma Cole, bright blue background with black and white photo of Collobert at the top
It Then
By Danielle Collobert
Translated by Norma Cole
cover of byt by William Fuller; sky blue background, title is left justified at top of page in white typed text, separated with a vertical white line from author name, which is right justified, horizontal thick white line is under the text, a light pink painting of a hand with just the three outer fingers and small rectangular shapes where the index and thumb digits should be
byt
By William Fuller
cover of Turn Left In Order to Go Right by Norman Fischer, red bacground with vertical rectangular b&w photo of a beach and a person jumping in the ocean in the distance
Turn Left in Order to Go Right
By Norman Fischer
cover of A's Dream by Aaron Shurin; forest green background, large smudge of white near cener of page, title in white typed text centered at the top, excerpt of text cuts across in in blue typing under title and falls off edge of page
A’s Dream
By Aaron Shurin
cover of Return of the World by Todd Baron, crayon textured light purple background with crayon-textured handwritten book title and author name
Return of the World
By Todd Baron
Discussion Crowds the Slow Worker by Lori Lubeski; bright green background, deep blue crayon lines across the bottom with a small shape above
Dissuasion Crowds the Slow Worker
By Lori Lubeski
cover of Light by Jerry Ratch; leaf green background, white crayon drawn column coming halfway down from the top right side, white crayon square on bottom half of left side, poem in deep maroon ink typed poem beginning in white square and ending in the green background
Light
By Jerry Ratch

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