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cover of In Memory of My Theories by Rod Smith; light grey background, image of ghostlike figure on top of an old tv with a blue screen, tethered by a thin pole to a clear plexiglass spinning wheel
In Memory of My Theories
By Rod Smith
cover of Moira by Norma Cole; light grey background, four large pencil-drawn blobs, white on the inside, Moira handwritten in red all-caps in the biggest center blob
Moira
By Norma Cole
cover of Lapses by John Crouse; textured off-white background, four columns of nouns and verbs in light brown typed font with a blue textured check mark above each word, blue outline of rectangle surrounding eight words in third column from the left
Lapses
By John Crouse
cover of VEL by P. Inman, black line drawing of bird silhouettes and a square b&w image of a wall and white pitcher
VEL
By P Inman
cover of Close to me & Closer by Alice Notley; top of page is a painting of deer and llamas grazing and laying in yellow and green grass with a purple sky, bottom of page is a painting of a male and female lion facing each other in yellow grass
Close to me & Closer… (The Language of Heaven) and Désamère
By Alice Notley
cover of The History of the Loma People by Paul Degein Korvah, b&w image of two people sitting in front of a cement hut with a hay roof
The History of the Loma People
By Paul D. Korvah
cover of Memory Play by Carla Harryman, textured white background with black specks bursting from a single point and scattering
Memory Play
By Carla Harryman
cover of Mob by Abigail Child; black background, b&w aerial image of large crowd in swimwear
Mob
By Abigail Child
cover by Curve by Andrew Levy; two smaller vertical rectangular b&w image negatives of nuns or saints, pink background with black line drawings with curves, lines, and arrows
Curve
By Andrew Levy
cover of Rome, A Mobile Home by Jerry Estrin, dark red background with horizontal b&w close-up photo of a line of stones in sand
Rome, a Mobile Home
By Jerry Estrin
cover of Precisely the Point Being Made by Norman Fischer, off-white background with rectangular image along the bottom of light grey circles and black dots
Precisely the Point Being Made
By Norman Fischer
cover of The Sugar Borders by William Fuller, light blue background with red line drawings of small birds
The Sugar Borders
By William Fuller
cover of O Four, Subliminal Time edited by Leslie Scalapino; "my heart is destiny" twice in bright blue handwritten text vertically, one on top of the other with blue crayon-like rectangular outline, blurb about the book typed in blue text in a column on the right side of cover
O Four / Subliminal Time
Edited by Leslie Scalapino
cover of The India Book by Andrew Schelling, light pink background and a vertical red-tinted photo of a small skeleton with a mask in a garden
The India Book: Essays and Translations from Indian Asia
By Andrew Schelling
cover of Cold Heaven by Camille Roy; b&w photo of two women with their arms around each other, background is b&w image of the galaxy
Cold Heaven
By Camille Roy
cover of The Quietist by Fanny Howe, pale pink background with dark green hand drawing of lines like rain, a nail over an oval, and a face with a circle hat
The Quietist
By Fanny Howe
cover of Picture of the Picture by Craig Watson, light pink background with smal rectangle image at center of cave drawings with teal tint
Picture of the Picture of the Image in the Glass
By Craig Watson
cover of O Three, War edited by Leslie Scalapino, dark grey background with small cut-out white squares with handwritten blue and red writing
O Three / War
Edited by Leslie Scalapino
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of What I Believe by Robert Genier, black bacground with white handwritten lettering
What I Believe
By Robert Grenier

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