Catalog
Filters
cover of Lilyfoil by Elizabeth Treadwell; bottom half has b&w photo of apartment buildings, top half has b&w photo of close-up of clusters of white blossoms
LILYFOIL + 3
By Elizabeth Treadwell
cover of memnoir by joan retallack; dark green background with outline of a rectangle in the center with three thick cream-colored lines inside
Memnoir
By Joan Retallack
9:45
By Kit Robinson
Euclid Shudders by Mark Tardi, Book cover showing a set of two keys dangling on a nail, black background.
Euclid Shudders
By Mark Tardi
Notebooks 1956-1978 by Danielle Collobert, Translated by Norma Cole, Book cover showing a small B&W photograph of a Brasserie, against a deep red background.
Notebooks, 1956-1978
By Danielle Collobert
Translated by Norma Cole
cover for Afugabe Number 3, Fall 2003. White background with the image of a square piece of camo green fabric. A tadpole is embroidered into the center of the fabric square with light green, almost white thread.
Aufgabe No. 3
Edited by E. Tracy Grinnell, Jen Hofer
cover of Iduna by kari edwards; top third is bright sky blue, bottom third is deep red, middle thir is textured black and white, like a close up of smoke
iduna
By kari edwards
cover of 248mgs., a panic picnic by susan landers; white background with typed mint green title centered at top and author name centered in pink typing below, centered at bottom are two vertical rectangular images with black background, drawn in think white lines, each of the figure of a woman in the nude in front of a spinning wheel
248 mgs., a panic picnic
By Susan Landers
cover of enough; top half is b&w image of a coliseum-type building under construction, bottom half is color image of fully built coliseum-type structure
enough
Edited by Leslie Scalapino, Rick London
cover of egypt by Dawn Michelle Baude, olive green background with blue square in the center and a light grey square with a painted maroon eye inside
egypt
By Dawn-Michelle Baude
cover of The House Seen from Nowhere by Keith Waldrop; thick black ink smudge in a large vertical column on a white background, with title typed in red to its left and author name in black to its right
The House Seen from Nowhere
By Keith Waldrop
cover of Aufgabe 2; blue tinted image of a girl leaning on a counter overleyed with a piece of graph paper with handwritten notes in french
Aufgabe No. 2
Edited by E. Tracy Grinnell, Rosmarie Waldrop
cover of Plum Stones by michael mcclure, light blue background with circular illustration at the center of boar-like creature standing on land and a dragon in water
Plum Stones/Cartoons of No Heaven
By Michael McClure
cover of But I Could Not Speak by Jono Schneider; large circular b&w image of bare landscape with horizon line, hills in the distance, and an open sky near top center, circular b&w image of inside of busy public building with arched ceiling windows and many columned archways falling off the page at bottom left, baclground is thick stripes of dark purple-brown, teal blue, and white
"…But I Could Not Speak…"
By Jono Schneider
cover of Rumors of Buildings to Live In by Keith Shein, metal staircase in the sky, small bird perched on the railing
Rumors of Buildings to Live In
By Keith Shein
cover of In/Somia by Etel Adnan; dark blue background with large green square at the center and three thick red lines inside
In/somnia
By Etel Adnan
cover of Portraits & Repitition by Stephen Ratcliffe; faded music score placed vertically, black ink blots scattered across the page
Portraits & Repetition
By Stephen Ratcliffe
A Dangerous Thing poetry by Ruth-Marion Baruch
A Dangerous Thing
By Ruth-Marion Baruch
cover of It's go in quiet illumined grass land by Leslie Scalapino; sky blue background with large white square at the center and three thick lines inside, one red and two blue
It’s Go In/ Quiet Illumined Grass/ Land
By Leslie Scalapino
cover of Undying Love or Love Dies by Jalal Toufic; black background with red hand-drawn, partially colored in heart near center
Undying Love, or Love Dies
By Jalal Toufic

Dedicated support from individual readers like you funds our day-to-day operations and enables the programming we undertake in direct service to the visionary writers and artists whose works we champion.