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Black and white photograph of paris cafe with title of book Notebooks 1956 to 1978 and author name Danielle Collobert and translators names Norma Cole and Jeremy Robert across the image at a diagonal
Notebooks, 1956-1978, 2nd Edition
By Danielle Collobert
Translated by Norma Cole, Jérémy Victor Robert
Manuscript page with handwriting in red ink and title of book The Mezzanine The Last Account of Catarina Quia author name Anne Marie Albiach and translator name Teresa Villa Ignacio displayed in blank spaces between handwriting
The Mezzanine
By Anne-Marie Albiach
Translated by Teresa Villa-Ignacio
black ink drawing of ink pot against a blue background with manuscript handwriting in blue one a white band at the top and bottom of the image the title of the book Mezza Voce and the authors name Anne Marie Albiach and the translators name Joseph Simas appear above and below the drawing
Mezza Voce, 2nd Edition
By Anne-Marie Albiach
Translated by Joseph Simas
Collage of tan and gray flowers resembling roses with red thorn like graphics to the left is the title of the book Yes I Am A Destroyer in gray and red and the author name Mira Mattar near the bottom center
Yes, I Am A Destroyer
By Mira Mattar
Erode Cover Image
ERODE
By Biswamit Dwibedy
Cover image
The Unlikeness of Things
By Virginie Poitrasson
Translated by Michelle Noteboom
detailed line drawing of a demolished building in two columns with title running vertically up and down the middle of the image
CONTROLLED DEMOLITION: a work in four books
By Ammiel Alcalay
Voyage War Exile front cover depicts three sailboats in blue stacked vertically on the right side and two rust colored trees on the left
Voyage, War, Exile: Three Essays
By Etel Adnan
Art by Simone Fattal
Front cover of Viscera, Eight Voices from Poland with collage by Małgorzata Pawlak
Viscera: Eight Voices from Poland
Edited by Mark Tardi
Front cover image of Asia & Haiti with original black and white print by Byron Baker
Asia & Haiti
By Will Alexander
Embroideries cover
Embroideries
By Burcu Sahin
Translated by Jennifer Hayashida
cover of Happily by Lyn Hejinian; bright yellow background with red outline of a large square and three thick lines inside, one blue, one red, one white
Happily
By Lyn Hejinian
Front cover of Fall Creek by Lyn Hejinian with abstract painting by Robert Motherwell with three horizontal bands of color at the bottom green black and blue and a vertical blue splash arcing up and falling back down like a wave crashing
Fall Creek
By Lyn Hejinian
Bilingual cover of Safe Fathy's Where Not to Be Born with English and Arabic titles and two images of paintings by Taraneh Mosadegh against a dark blue black cover
Where Not to Be Born
By Safaa Fathy
Translated by Rawad Z. Wehbe
Cover image of Another Room to Live In featuring sculpture by Simone Fattal
Another Room to Live In: 15 Contemporary Arab Poets
Edited by Omar Berrada, Sarah Riggs
Cover of Spectral Evidence The Witch Book by Nancy Bowen and Elizabeth Willis featuring a stack of books on fire with the book title appearing in the smoke
Spectral Evidence: The Witch Book
By Elizabeth Willis
Art by Nancy Bowen
Cover image for Sphinx by Liliane Giraudon shows the silhouette of a woman holding a bird upside down by the feet with wings splayed against a red background
Sphinx
By Liliane Giraudon
Translated by Lindsay Turner
human nature poems front cover shows a textured black background like a rumpled piece of fabric or paper with areas of lightness and small gray silver flecks the only text is in the upper left corner reading human nature poems tracie morris
human/nature poems
By Tracie Morris
The Coming Mental Range cover with an abstract painting by Will Alexander in yellow red blue and green with a band of solid red above and below the image
The Coming Mental Range
By Will Alexander
An abstract painting with a blue egg like shape rising in the upper right below which we see an orange red flower like shape above blacks and greens everything is covered in multicolor dots the title of the book the cloud notebook and the author name ada smailbegovic appear in the lower third of the painting
The Cloud Notebook
By Ada Smailbegović

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