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The Mudra by Kerri Sonnenberg, Book cover showing a close up of two palms engaged in a Mudra/hand movement, one palm is open.
The Mudra
By Kerri Sonnenberg
cover of The New Make Believe by denise newman; pale green background with off-white square outlined in brown-red in the center and three thick lines inside of different lengths, one in pale green, two in different shades of brown-red, title and author name centered above in typed text
The New Make Believe
By Denise Newman
The Paper Camera by Youmna Chlala, Book cover showing a film grid with a blue image in movement.
The Paper Camera
By Youmna Chlala
cover of The Quietist by Fanny Howe, pale pink background with dark green hand drawing of lines like rain, a nail over an oval, and a face with a circle hat
The Quietist
By Fanny Howe
cover of The Seven Voices by Lisa Samuels, drawing of six butterflies separated by wood slats in a glass case, each pane of glass dusty with a clean/clear circle in the center of each
The Seven Voices
By Lisa Samuels
cover of The Spring Flowers Own & The Manifestations of the Voyage by Etel Adnan, yellowish/off-white background with vertical white rectangle near center and hand-drawn black lines and shading inside, author name centered above in black typing and title centered below in red typing
The Spring Flowers Own & The Manifestations of the Voyage
By Etel Adnan
cover of The Sugar Borders by William Fuller, light blue background with red line drawings of small birds
The Sugar Borders
By William Fuller
The Supposium: Thought Experiments & Poethical Play in Difficult Times, a Wager by Joan Retallack (Editor), Book Cover showing a collage of photographs, a marble sculpture, a dove, a man, a drawing of a foot, a painting of a face, a photograph of two people in a city.
The Supposium
Edited by Joan Retallack
cover Then Go On by Mary Burger; dark blue lines like spray paint stretch vertically across a green background. large red textured paint splotches across the middle with dark blue shapes like flower silhouettes along the top.
Then Go On
By Mary Burger
There Are People Who Say That Painters Shouldn’t Talk: A GUSTONBOOK
By Patrick James Dunagan
cover of THERE by etel adnan; burnt orange background, large square b&w photo of a table beside a stool on a box with gourdes in top, in front of a curtain and window
There: In the Light and the Darkness of the Self and of the Other
By Etel Adnan
cover of Thrall by Susan Gevirtz, light green background with a large white rectangle in the middle and black doodles inside, title and author name in red typed text
Thrall
By Susan Gevirtz
cover of Time of Sky Castles in the Air by Ayane Kawata, translated by Sawako Nakayasu; illustration of bare trees growing out of grey water
Time of Sky & Castles in the Air
By Ayane Kawata
Translated by Sawako Nakayasu
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of Too Much Happens by Kathleen Weaver, large off-white clay underside of a mushroom with title printed over the top in swoopy black lettering
Too Much Happens
By Kathleen Weaver
cover of Tottering State by Tom Raworth, black background with white and light brown creating the shape of a simplified eye
Tottering State
By Tom Raworth
Towards the Primeval Lightning Field by Will Alexander, Book cover showing a busy painting of lines and dots meeting and merging in movement, yellow, orange, green and reds.
Towards the Primeval Lightning Field
By Will Alexander
cover of trespasses by Padcha Tuntha-pbas, beige background with navy blue curved brushstrokes
Trespasses
By Padcha Tuntha-Obas
cover of Turn Left In Order to Go Right by Norman Fischer, red bacground with vertical rectangular b&w photo of a beach and a person jumping in the ocean in the distance
Turn Left in Order to Go Right
By Norman Fischer
Two Markets, Once Again by ryoko sekiguchi; bright blue background with bright blue square with light green outline in the center and three thick light green lines inside
Two Markets, Once Again
By Ryoko Sekiguchi
Translated by Sarah Riggs

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