Catalog
Filters
cover of Rome, A Mobile Home by Jerry Estrin, dark red background with horizontal b&w close-up photo of a line of stones in sand
Rome, a Mobile Home
By Jerry Estrin
cover of Precisely the Point Being Made by Norman Fischer, off-white background with rectangular image along the bottom of light grey circles and black dots
Precisely the Point Being Made
By Norman Fischer
cover of The Sugar Borders by William Fuller, light blue background with red line drawings of small birds
The Sugar Borders
By William Fuller
cover of The India Book by Andrew Schelling, light pink background and a vertical red-tinted photo of a small skeleton with a mask in a garden
The India Book: Essays and Translations from Indian Asia
By Andrew Schelling
cover of Cold Heaven by Camille Roy; b&w photo of two women with their arms around each other, background is b&w image of the galaxy
Cold Heaven
By Camille Roy
cover of The Quietist by Fanny Howe, pale pink background with dark green hand drawing of lines like rain, a nail over an oval, and a face with a circle hat
The Quietist
By Fanny Howe
cover of Picture of the Picture by Craig Watson, light pink background with smal rectangle image at center of cave drawings with teal tint
Picture of the Picture of the Image in the Glass
By Craig Watson
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of What I Believe by Robert Genier, black bacground with white handwritten lettering
What I Believe
By Robert Grenier
cover of Values Chauffer You by Andrew Levy, light pink background with human chaped figure with a paddle ball racquet for a head
Values Chauffeur You
By Andrew Levy
cover of Kismet by Pat Reed; pink tinted photo of a tall window with items on the windowsill
Kismet
By Pat Reed
cover of Candor by Alan Davies; mint green sponged textured background, square image of blue rippling water outlined with solid mint green near the center, book title is centered under the square in deep blue all caps typed text, author name is right justified at the bottom in all caps white tyeped text
Candor
By Alan Davies
cover of The Inveterate Life by Jessica Grim, white background with navy blue line horizontal across the bottom, then another connecting vertically to rose tinted photo of a landscape
The Inveterate Life
By Jessica Grim
cover of It Then by Danielle Collobert, translated by Norma Cole, bright blue background with black and white photo of Collobert at the top
It Then
By Danielle Collobert
Translated by Norma Cole
cover of byt by William Fuller; sky blue background, title is left justified at top of page in white typed text, separated with a vertical white line from author name, which is right justified, horizontal thick white line is under the text, a light pink painting of a hand with just the three outer fingers and small rectangular shapes where the index and thumb digits should be
byt
By William Fuller
cover of Turn Left In Order to Go Right by Norman Fischer, red bacground with vertical rectangular b&w photo of a beach and a person jumping in the ocean in the distance
Turn Left in Order to Go Right
By Norman Fischer
cover of A's Dream by Aaron Shurin; forest green background, large smudge of white near cener of page, title in white typed text centered at the top, excerpt of text cuts across in in blue typing under title and falls off edge of page
A’s Dream
By Aaron Shurin
cover of Return of the World by Todd Baron, crayon textured light purple background with crayon-textured handwritten book title and author name
Return of the World
By Todd Baron
cover of Abjections by rick london, light grey-blue background with a smudge of light pink on left side slightly above horizontal, title is right justified at the bottom half of page and repeated in a column in black typed text, interrupted by author name in white typed text and the title written once in white text
Abjections: A Suite
By Rick London
Discussion Crowds the Slow Worker by Lori Lubeski; bright green background, deep blue crayon lines across the bottom with a small shape above
Dissuasion Crowds the Slow Worker
By Lori Lubeski

Dedicated support from individual readers like you funds our day-to-day operations and enables the programming we undertake in direct service to the visionary writers and artists whose works we champion.