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cover of Cold Heaven by Camille Roy; b&w photo of two women with their arms around each other, background is b&w image of the galaxy
Cold Heaven
By Camille Roy
cover of The Quietist by Fanny Howe, pale pink background with dark green hand drawing of lines like rain, a nail over an oval, and a face with a circle hat
The Quietist
By Fanny Howe
cover of Picture of the Picture by Craig Watson, light pink background with smal rectangle image at center of cave drawings with teal tint
Picture of the Picture of the Image in the Glass
By Craig Watson
cover of Time Rotations by Benjamin Friedlander, black and white photo of a horizon line with long metal cylinder in the foreground
Time Rations
By Benjamin Friedlander
cover of Values Chauffer You by Andrew Levy, light pink background with human chaped figure with a paddle ball racquet for a head
Values Chauffeur You
By Andrew Levy
cover of Kismet by Pat Reed; pink tinted photo of a tall window with items on the windowsill
Kismet
By Pat Reed
cover of Candor by Alan Davies; mint green sponged textured background, square image of blue rippling water outlined with solid mint green near the center, book title is centered under the square in deep blue all caps typed text, author name is right justified at the bottom in all caps white tyeped text
Candor
By Alan Davies
cover of The Inveterate Life by Jessica Grim, white background with navy blue line horizontal across the bottom, then another connecting vertically to rose tinted photo of a landscape
The Inveterate Life
By Jessica Grim
cover of It Then by Danielle Collobert, translated by Norma Cole, bright blue background with black and white photo of Collobert at the top
It Then
By Danielle Collobert
Translated by Norma Cole
cover of byt by William Fuller; sky blue background, title is left justified at top of page in white typed text, separated with a vertical white line from author name, which is right justified, horizontal thick white line is under the text, a light pink painting of a hand with just the three outer fingers and small rectangular shapes where the index and thumb digits should be
byt
By William Fuller
cover of Turn Left In Order to Go Right by Norman Fischer, red bacground with vertical rectangular b&w photo of a beach and a person jumping in the ocean in the distance
Turn Left in Order to Go Right
By Norman Fischer
cover of A's Dream by Aaron Shurin; forest green background, large smudge of white near cener of page, title in white typed text centered at the top, excerpt of text cuts across in in blue typing under title and falls off edge of page
A’s Dream
By Aaron Shurin
cover of Return of the World by Todd Baron, crayon textured light purple background with crayon-textured handwritten book title and author name
Return of the World
By Todd Baron
cover of Abjections by rick london, light grey-blue background with a smudge of light pink on left side slightly above horizontal, title is right justified at the bottom half of page and repeated in a column in black typed text, interrupted by author name in white typed text and the title written once in white text
Abjections: A Suite
By Rick London
Discussion Crowds the Slow Worker by Lori Lubeski; bright green background, deep blue crayon lines across the bottom with a small shape above
Dissuasion Crowds the Slow Worker
By Lori Lubeski
cover of [where late the sweet] BIRDS SANG by stephen ratcliffe, textured magenta across the entire cover
[where late the sweet] BIRDS SANG
By Stephen Ratcliffe
cover of way, a poem by leslie scalapino, two vertical regtangular b&w photos of people dancing on an off-white background
way
By Leslie Scalapino
cover of Dreaming Close By by Rick London; brownish-red background with black ink brush strokes across the middle
Dreaming Close By
By Rick London
cover of "that they were at the beach" by leslie scalapino, pink background with a b&w image across the bottom of two groups of people in swimwear playing tug-of-war on the beach
That They Were at the Beach
By Leslie Scalapino
cover of Considering how exaggerated music is by Leslie Scalapino; diagonal line horizontally one-third down the cover, grey on top, black background on the bottom with two circles made up of music score
Considering how exaggerated music is
By Leslie Scalapino

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