Catalog
Filters
cover of The Lion by jennifer moxley; orange background with a large off-white rectangle in the middle and black doodles inside, title and author name in blue typed text centered above
The Line
By Jennifer Moxley
The Arab Apocalypse front cover image: bright orange background with a drawing of three broken, black circles lined up horizontally, with black streaks interrupting them. The circles could be representations of the sun. Text on the cover reads: Etel Adnan, The Arab Apocalypse, The Post-Apollo Press.
The Arab Apocalypse
By Etel Adnan
cover of Figured Image by anne-marie albiach, large ice glaciar with words printed on top in red and maroontext
Figured Image
By Anne-Marie Albiach
Translated by Keith Waldrop
cover for Step by Gerorge Albon, bright yellow background with a large white rectangle in the middle and black doodles inside
Step
By George Albon
cover of Slef-Destruction by Laura Moriarty; b&w photo of a white stature of a man holding onto a woman around her waist as she holds a jug and he drinks from it, in front of leafy hedge, title and author name in bright yellow typed text
Self-Destruction
By Laura Moriarty
cover of Mind-God & The Properties of Nitrogen by Fouad Gabriel Naffah, translated and introduction by Norma Cole; textured off-white background, pastel simple sketch of a person on a walkway on two diagonal corners, pastel line drawings like square doodles in other two corners, title and contributor names centered in black typed text
Mind-God and The Properties of Nitrogen
By Fouad Gabriel Naffah
Translated by Norma Cole
9:45
By Kit Robinson
cover of egypt by Dawn Michelle Baude, olive green background with blue square in the center and a light grey square with a painted maroon eye inside
egypt
By Dawn-Michelle Baude
cover of In/Somia by Etel Adnan; dark blue background with large green square at the center and three thick red lines inside
In/somnia
By Etel Adnan
cover of Portraits & Repitition by Stephen Ratcliffe; faded music score placed vertically, black ink blots scattered across the page
Portraits & Repetition
By Stephen Ratcliffe
A Dangerous Thing poetry by Ruth-Marion Baruch
A Dangerous Thing
By Ruth-Marion Baruch
cover of Everything Happens by Dominique Fourcade; dark green background with black outline of green square int he center and three thick lines inside, one red, one pink, one white
Everything Happens
By Dominique Fourcade
Translated by Stacy Doris
Codicil & Plan for Pond 4
By Emmanuel Hocquard
Translated by Juliette Valéry, Ray DiPalma
cover of meadow by tom raworth, bright red background with a large white square centered and three thick lines of different lengths stacked, one yellow, one green one red, typed yellow text of title and author name centered above
Meadow
By Tom Raworth
cover of Last Decade by Karl Roeseler; bright background with bright blue square in the center and three thick lines inside, one yellow, one red, one white
Last Decade
By Karl Roeseler
cover of THERE by etel adnan; burnt orange background, large square b&w photo of a table beside a stool on a box with gourdes in top, in front of a curtain and window
There: In the Light and the Darkness of the Self and of the Other
By Etel Adnan
quill, solitary apparition by barbara guest, salmon pink background with light grey splotch in the middle
Quill, Solitary Apparition
By Barbara Guest
A Descriptive Method by Claude Royet-Journoud, white background with square outlined in light blue near center, three differently sized thick lines stacked vertically inside, one light blue, one sky blue, one maroon
A Descriptive Method
By Claude Royet-Journoud
Translated by Keith Waldrop
cover of The Indian Never Had a Horse by etel adnan; light pink background with a large vertical rectangle centered of a black ink drawing of trees and a horizon line, title and author photo centered below in typed text
The Indian Never Had a Horse & Other Poems
By Etel Adnan
cover of precise intrigues by mary angeline; light grey background with black line doodles making a cross-hatched square
Precise Intrigues
By Mary Angeline

Dedicated support from individual readers like you funds our day-to-day operations and enables the programming we undertake in direct service to the visionary writers and artists whose works we champion.