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cover of Turn Left In Order to Go Right by Norman Fischer, red bacground with vertical rectangular b&w photo of a beach and a person jumping in the ocean in the distance

Turn Left in Order to Go Right

By Norman Fischer

cover of A's Dream by Aaron Shurin; forest green background, large smudge of white near cener of page, title in white typed text centered at the top, excerpt of text cuts across in in blue typing under title and falls off edge of page

A’s Dream

By Aaron Shurin

cover of Home for the Summer by Georgina Kleege; medium sized black charcoal square at center of white background with four smaller charcoal sqaures in a line underneath, a banner of light green across the top and bottom with the title, author name, and press name written in red typed letters

Home for the Summer

By Georgina Kleege

cover of A Certain Slant of Sunlight by Ted Berrigan; background is colored in with maroon pen, with white space for title in maroon typing at top center, a black hand-drawn diagram of a windshield a note that says "there is no windshield," and white space for author name underneath in maroon typing

A Certain Slant of Sunlight

By Ted Berrigan

cover of Return of the World by Todd Baron, crayon textured light purple background with crayon-textured handwritten book title and author name

Return of the World

By Todd Baron

cover of Abjections by rick london, light grey-blue background with a smudge of light pink on left side slightly above horizontal, title is right justified at the bottom half of page and repeated in a column in black typed text, interrupted by author name in white typed text and the title written once in white text

Abjections: A Suite

By Rick London

Discussion Crowds the Slow Worker by Lori Lubeski; bright green background, deep blue crayon lines across the bottom with a small shape above

Dissuasion Crowds the Slow Worker

By Lori Lubeski

cover of Light by Jerry Ratch; leaf green background, white crayon drawn column coming halfway down from the top right side, white crayon square on bottom half of left side, poem in deep maroon ink typed poem beginning in white square and ending in the green background

Light

By Jerry Ratch

cover of [where late the sweet] BIRDS SANG by stephen ratcliffe, textured magenta across the entire cover

[where late the sweet] BIRDS SANG

By Stephen Ratcliffe

cover of O One Anthology; pale pink background and bright blue typed writing, white rectangle with pale pink typed writing of title

O One / An Anthology

Edited by Leslie Scalapino

cover of Mezza Voce by Anne-Marie Albiach, black hand painted inkwell on beige background

Mezza Voce

By Anne-Marie Albiach

Translated by Joseph Simas

cover of way, a poem by leslie scalapino, two vertical regtangular b&w photos of people dancing on an off-white background

way

By Leslie Scalapino

cover of Catenary Odes by Ted Pearson; light yellow-brown background, title is rght-justified at top right corner of the page in green typed writing with a curved green line that boxes it into the corner, author name is just below in smaller green typed writing, also right-justified

Catenary Odes

By Ted Pearson

cover of Phantom Anthems by Robert Grenier, bright blue background with large brush-stroke white circle at center; a black rectangle with large white brush stroke stretches from left side

Phantom Anthems

By Robert Grenier

cover of Dreaming Close By by Rick London; brownish-red background with black ink brush strokes across the middle

Dreaming Close By

By Rick London

cover of "that they were at the beach" by leslie scalapino, pink background with a b&w image across the bottom of two groups of people in swimwear playing tug-of-war on the beach

That They Were at the Beach

By Leslie Scalapino

from A to Z by Etel Adnan; hand drawn black ink border, title and author name written in large handwritten black ink

From A to Z

By Etel Adnan

cover of sitt marie rose by etel adnan; white background, light grey map of lebanon behind black typed title and author name

Sitt Marie Rose

By Etel Adnan

Translated by Georgina Kleege

cover of Considering how exaggerated music is by Leslie Scalapino; diagonal line horizontally one-third down the cover, grey on top, black background on the bottom with two circles made up of music score

Considering how exaggerated music is

By Leslie Scalapino

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