Time of SkyTime of Sky &
Castles in the Air

Ayane Kawata
Trans. by Sawako Nakayasu

 


bharatjiva
Portrait of
Colon Dash Parenthesis

Jeffrey Jullich

 



bharatjivaBharat jiva

kari edwards

 

 


bharatjiva
NO GENDER

edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell



bharatjiva
Hyperglossia

Stacy Szymaszek

 

 


bharatjiva
From Dame Quickly

Jennifer Scappettone

 

 

bharatjivaFace Before Against
Isabelle Garron
Translated by Sarah Riggs

 

 

bharatjivaAnimate, Inanimate Aims
Brenda Iijima

 

 


fruitlandsFruitlands

Kate Colby

 

 


four from japanFour from Japan

Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu


counter daemonsCounter Daemons

Roberto Harrison

 

 


emptied of all shipsEmptied of All Ships

Stacy Szymaszek

 

 


inner china Inner China

Eva Sjödin
Translated by Jennifer Hayashida

 



mudraThe Mudra
Kerri Sonnenberg

 

 



another kind of tendernessAnother Kind of Tenderness

Xue Di
Translated by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson



euclid shuddersEuclid Shudders

Mark Tardi

 

 



notebooksNotebooks 1956-1978

Danielle Collobert
Translated by Norma Cole

 

 

house seen from nowhereThe House Seen from Nowhere
Keith Waldrop

Excerpt



hyperglossiaThe House Seen from Nowhere

Keith Waldrop

2002 • 230 pp. • $15.00
ISBN: 9-780-972333108


SPD




In Keith Waldrop's The House Seen from Nowhere, we are invited into a meditational drift that explores the 'tense emptiness' of being . The construction of all that surrounds us, the carpentry, wavers between order and the instability of order, is manifest in syntax and etymology. In this house, which is all things--body, fortress, residence, logic, language, mortality--we find mirrors, echoes, and spirits: "the figures light/delineates not/the light itself." Where we might use Zeno's Paradox to understand the relation between the knower and the known, it is in Keith's house that we find the paradox of 'empty disctinctions,' the tension between asymmetrical opposites. The house exists "not to inclose but/to include//without redemption."


If transcendental immanence were possible, it would be because Keith Waldrop had invented it; he’s the only one who could.

— National Book Foundation

Waldrop's brilliance of wit and device, the serenity of judgement, the articulation of research and reflection … — all these delight, and convince anew that poetry is a vast, holistic science, a science of sciences, from which an adept like Waldrop brings results we've never heard before.

— Robert Kelly in Rain Taxi VI, 2 (Summer 2001)

 

 




nysca

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