Time of Sky &
Castles in the Air
Ayane Kawata
Trans. by Sawako Nakayasu
Portrait of
Colon Dash Parenthesis
Jeffrey Jullich
Bharat jiva
kari edwards
NO GENDER
edited by Julian T. Brolaski,
erica kaufman,
and E. Tracy Grinnell
Hyperglossia
Stacy Szymaszek
From Dame Quickly
Jennifer Scappettone
Face Before Against
Isabelle Garron
Translated by Sarah Riggs
Animate, Inanimate Aims
Brenda Iijima
Fruitlands
Kate Colby
Four from Japan
Kiriu Minashita,
Kyong-Mi Park,
Ryoko Sekiguchi,
Takako Arai
Trans. by Sawako Nakayasu
Counter Daemons
Roberto Harrison
Emptied of All Ships
Stacy Szymaszek
Inner China
Eva Sjödin
Translated by Jennifer Hayashida
The Mudra
Kerri Sonnenberg
Another Kind of Tenderness
Xue Di
Translated by Keith Waldrop,
Forrest Gander, Stephen Thomas,
Theodore Deppe and
Sue Ellen Thompson
Euclid Shudders
Mark Tardi
Notebooks 1956-1978
Danielle Collobert
Translated by Norma Cole
The House Seen from Nowhere
Keith Waldrop
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The House Seen from Nowhere
Keith Waldrop
2002 • 230 pp. • $15.00
ISBN: 9-780-972333108

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In Keith Waldrop's The House Seen from Nowhere, we are invited into a meditational drift that explores the 'tense emptiness' of being . The construction of all that surrounds us, the carpentry, wavers between order and the instability of order, is manifest in syntax and etymology. In this house, which is all things--body, fortress, residence, logic, language, mortality--we find mirrors, echoes, and spirits: "the figures light/delineates not/the light itself." Where we might use Zeno's Paradox to understand the relation between the knower and the known, it is in Keith's house that we find the paradox of 'empty disctinctions,' the tension between asymmetrical opposites. The house exists "not to inclose but/to include//without redemption."
If transcendental immanence were possible, it would be because Keith Waldrop had invented it; he’s the only one who could.
— National Book Foundation
Waldrop's brilliance of wit and device, the serenity of judgement, the articulation of research and reflection … — all these delight, and convince anew that poetry is a vast, holistic science, a science of sciences, from
which an adept like Waldrop brings results we've never heard before.
— Robert Kelly in Rain Taxi VI, 2 (Summer 2001)
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The publication of this book is made possible, in part, by support from:
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